There’s a lot that goes into the design of an auditorium from structural components to aesthetic choices, and it’s easy to accidentally overlook some items in the design. Patron experience is the top priority when it comes to the return value of your auditorium. We’ve compiled the top mistakes we see when it comes to auditorium design that contribute to patron experience and how you can avoid them.
All of these features must be addressed before concrete is poured. Once concrete is poured, there is little that can be done to correct these concerns without additional pouring.
1. Designing Incline Breaks with a Constant Radius
Designing incline breaks, and therefore seating rows, along a radius is a great way to increase the maximum seating capacity of the auditorium as well as improve sight lines for patrons. However, issues occur when the breaks are set on a constant radius. When the same radius is used for each incline break and simply set back a few feet, it causes the breaks and rows to pinch together at the ends, which can lead to issues with clear passage and back to back spacing between rows.
How to Avoid: Use Concentric Radii
When planning the placement of incline breaks, use concentric radii. That is, account for a larger radius for each incline break back from the focal point, as shown in the image below. You might picture the full circles like nesting dolls, where each doll fits inside the next one.
2. Forgoing Accommodations for Rear Walls & Obstructions
Accommodations often get overlooked for rear walls and other obstructions, like a front railing or low walls between rows, due to the common misconception that all rows need to have the same dimensions. However, this causes the seating to bump into the obstruction and cause a ripple effect of issues throughout the rest of the rows.
In the case of a rear wall, for example, when the tread of the last row is the same depth as the previous rows, the chairs have to be installed further forward on the tread to account for the back overhang. This shortens the length of clear passage between the back row and next row, which causes the next row to be placed further forward on the tread, and so on down each row. This creates a gap between the rise face and chair back, as shown below. A patron’s foot can easily slip between this space, or personal belongings may fall into this space.
How to Avoid: Include Additional Depth on Rows with Obstructions
The easiest way to solve this problem is to account for extra space on the tread of any row with an obstruction. This accounts for the back overhang of the chair as well as allowing for the correct clear passage on the row without creating hazardous gaps. In this example of a rear wall accommodation, making the back tread 44” instead of 36” is enough to account for these comfort and safety concerns, but the additional depth of this tread will vary depending on the dimensions of the chair.
3. Creating Hazardous Gaps in Intermediate Steps
Another common design mistake that leads to hazardous gaps is in the planning of intermediate steps on treads and risers. When intermediate steps are planned on the radius of the row or parallel to the wall, they often leave a gap between the end of the step and the first chair of the row. This is because chair standards are installed perpendicular to the riser face, as shown below. Again, a foot, cane, walker, or personal belongings could fall into this gap, creating a hazard.
How to Avoid: Match Steps to Chair Standards
Knowing that chair standards are installed perpendicular to the riser face, plan the edge of intermediate steps to be perpendicular to the riser face as well. This will ensure the edge of the step is tight to the chair and there is no significant gap.
4. Sight Line Accommodations
Sight lines are determined by the focal point of the stage or screen, which is dependent upon the use of the space. For example, a space hosting dance performances will need to accommodate for a clear view of the stage floor to watch dancers’ feet. When sight lines are obstructed, patrons can miss out on some of the action, which contributes to a poor experience.
How to Avoid: Chair Stagger, Treads & Risers, & Max Chair Recline
Staggering chairs and using treads and risers to elevate seating are the primary ways to accommodate sight lines. When planning chair stagger spacing with treads and risers, make sure you have a clear placement of the focal point for the space.
Staggering chairs is especially important for spaces without an incline. Your seating supplier can help you determine chair stagger for the best view from any seat.
Additionally, new cinema seating trends toward comfy recliners. In a movie theater, no part of the screen should be obstructed from any angle—that includes the viewing angle from a seat in the maximum reclined position. If you’re planning to include reclining seats in your space, make sure to accommodate for the sight lines from reclined positions.
5. Not Accounting for Desired Row Spacing When Planning Incline Breaks
If auditorium seating is intended to be on an incline as well as a radius, there presents an issue if these two are not planned concurrently. For patron comfort and chair anchor integrity, chairs are installed following the contour of incline breaks in the poured concrete.
How to Avoid: Plan Concrete Incline Breaks With Desired Row Spacing
Incline breaks should match with the desired row spacing, in the case of new construction. To determine row spacing, you’ll need the chair profile for the seating from your chair provider. These are the dimensions of the chair to account for in row spacing. Additionally, you’ll need the dimensions of any obstructions, such as a railing or low wall, to accurately plan incline breaks for the desired row spacing.
Understanding the intended use of the space you’re designing is important to planning seating arrangements. Considerations for sight lines, row radii, riser and tread depth, and incline breaks will depend on the space’s purpose, and these considerations should be included in planning before concrete is poured to ensure a positive patron experience.